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Cubase tutorials11/15/2022 ![]() ![]() ![]() No one is going to want to hear your track if it sounds like a mess, so it's really important to get the elements of your mix balanced together. Jay shows you his secrets for getting energetic drums, sizzly vocals that cut through and how to get a huge 'wall of sound' guitar mix. You'll learn exactly what processing to apply individually and as a group. Jay shows you the tricks & techniques he's learnt over the years with compression, multiband compression, EQ, saturation etc to bring each element to life and to sit in space, have energy and be consistent in the mix. ![]() Over the next 2 modules you will learn exactly how to TRANSFORM this track from dull, to an upfront, professional one. This is where processing, mixing and mastering come in. So at the moment the unmixed track has no life in it whatsoever. On top of all this you'll be taught how to use the audio alignment tool, how to clean up the recordings and more. You'll also learn how to arrange your track by paying attention to the energy curve of the arrangement. Jay also shows you tips on how to make them sound more like a human has drummed and more authentic. The samples that come with Cubase are great but we'll also be tweaking and optimising them to achieve a high energetic drum track. You'll be using this beast for all the live drum samples in this track. In this Module you'll be learning how to use the fantastic, in-built drum machine / sampler that is Groove Agent. Although little, these things help add up to a fantastic final track. In this module, you'll also learn how to correct the timing and pitch of your audio performances to make them perfect. We then move onto comping which means cutting out all the really good takes and stitching them together to make one perfect take. Jay shows you a simple technique to make this process a lot easier. After a typical recording session, you are normally left with an absolute tonne of audio to sift through. This is the secret sauce and it's essential to getting a decent final mix. Module 3 - Organising, Comping and Correction The best bit in this module are the recording tips which come from several years of experience and they 'll save you many headaches. You will learn how to set up inputs, setting up the Control Room and what it does (don't worry if you don't have CR, it's not essential to record just yourself), setting up headphone mixes for you and your musicians, and an explanation of the different recording modes. There are many options to do this and Jay simplifies this for you and takes the learning curve out of it. So in this 2nd module Jay will show you how to set up Cubase for recording. We finish the module with mic sweep tests to see what mics sound best and in what positions. You'll also learn how to record the Direct Input (DI) at the same time as the mic signal to give you a clean copy of the audio (which we use later). ![]() Such as where to place it in the room, what mics to use, where to place them, middle of cone or edge of cone, the tonal differences between placements, phase issues to look out for. Module 1 - Getting The Best Recording From Your AmpĪfter a short intro from your tutor Jay, we start talking about what to consider when setting up the guitar amp. ![]()
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